A brief, but nice article on Walt Disney from 1959. I like the personal approach in the write up, you get to know Walt a little. What I don't understand is that there is no mention of Disney's latest animated spectacular Sleeping Beauty, which was released in theaters about three months before the article was published.
I enjoy the candid photos as well.
Some poster art from only a few of so many Walt Disney Productions.
From the moment the storybook opens we find out that romance is the predominant visual theme of the film. What a lovely way to take us into this world through gorgeous book illustrations and the soulful narration by Betty Lou Gerson ( who would later voice Cruella De Vil).
Cinderella's background paintings remind me of grand stage sets for a Viennese Operetta by Johann Strauss. Everything is exaggerated in order to enhance a dreamlike, sentimental mood. The movie was made on a shoestring budget, yet the its visual presentation is opulent and luscious. You combine that with rich storytelling, and you get a classic for the ages.
For the film The Aristocats individual assignments were given to each of the supervising animators. Milt Kahl developed the relationship between the movie's human characters like Madame Bonfamille, her lawyer George Hautecourt and Edgar, the butler. Ollie Johnston drew key scenes with Duchess and her three kittens, and Frank Thomas animated O'Malley's song as well as the two dogs in the countryside, Napoleon and Lafayette.
John Lounsbery was put in charge of designing and animating most scenes featuring O'Malley's jazzy musician friends. It was Ken Anderson's idea that the five of them would be from different ethnic backgrounds and speak with individual accents like Russian, British, Italian etc.
Here are a few of Lounsbery's character doodle sheets, in which he explores a variety of shapes and proportions for the cats, as well as props that might link them to their respective country.
Busch illustrated Balzac's Les cent contes drôlatiques in 1959. This German 200 pages + edition has a ton of incredible drawings, spontaneous and bold, showing master draughtsmanship. Inventive staging and unconventional characters make these sketches a delight to study. Work like this inspires me to no end. It is breathtaking! Here is a selection of images from the first half of the book. If you'd like I can do a part II in a later post.